Still from Les Portes de la nuit
(1946, dir. Marcel Carné)
[From the Réunion des Musées Nationaux]
reblogged from liquidnight
Vladimir Nabokov inspecting a butterfly, Harvard (Museum of Comparative Zoology), Nov. 1946 -by Constantin Joffe
[Great to read: The Atlantic Online, April 2000 and some update: The New York Times, Jan. 25, 2011]
Vladimir Nabokov inspects a tiny Butterly
Via Tom Sutpen [Corbis]
reblogged from skibinskipedia
“Simple” was a character the poet Langston Hughes used in his syndicated newspaper column. Upon seeing the man in this photograph, Hughes said, “That’s him.”
Midwest United States, 1946-49
Published in Ebony, December 1951
From Wayne F. Miller: Photographs 1942-1958
reblogged from liquidnight
The Three Witches in Macbeth (1948, dir. Orson Welles)
Eye of newt, and toe of frog,
Wool of bat, and tongue of dog,
Adder’s fork, and blind-worm’s sting,
Lizard’s leg, and owlet’s wing,—
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
reblogged from oldhollywood
Barbara Stanwyck & Fred MacMurray in Double Indemnity (1946, dir. Billy Wilder, based on the novel by James M. Cain)
I knew then what I had done. I had killed a man. I had killed a man to get a woman. I had put myself in her power, so there was one person in the world that could point a finger at me, and I would have to die. I had done all that for her, and I never wanted to see her again as long as I lived.
That’s all it takes, one drop of fear, to curdle love into hate.
- James M. Cain, Double Indemnity
reblogged from oldhollywood
Hiroshima, Japan, August 1945
Japanese soldiers and civilians crowd trains to Tokyo at a Hiroshima station after the demobilization of the Japanese army.
From Wayne F. Miller: Photographs 1942-1958
reblogged from liquidnight
342 Cherry Street
New York, 1947
From Life on the Lower East Side: Photographs By Rebecca Lepkoff, 1937-1950
reblogged from liquidnight


